The Job Nobody Wants To Do
Every studio has the bucket. Trimmings, throwing slop, the failed pots — it all goes in, and then somebody has to deal with it. Slake it down, spread it on plaster or a board, wait, turn it, wait again, then wedge the whole lot back into something you'd actually throw on. For a busy studio that's three to five hours of someone's week, every week. At technician rates that's £2,000–£3,500 a year, and if you're the owner it's your evenings instead.
Most studios keep doing it by hand for one simple reason: a de-airing pugmill in the UK starts at £6,174, and that's the bare machine on its own. It's a genuinely hard purchase to justify — so the bucket stays, and so do the hours.
That's the gap we built this for. It's a proper vacuum de-airing machine, so what comes out of the nozzle is throwing-ready — no wedging afterwards, no air to worry about. And rather than selling you a bare unit, the stainless extrusion table comes with it as standard, so you have somewhere to pug onto from day one. If the wet end needs sorting too, the complete reclaim kit adds the plaster and mould for casting your own drying blocks, a proper paddle mixer for blunging slop, the bucket to collect it in and the scrapers to lift it all off. Take it or leave it — plenty of people already have a mixer.